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Label and Sticker Printing – A Quantum Leap

Learn about our brand new label and sticker printing solution that’s changing the game for Australian printers.

We first embarked into the label and sticker printing market 12 years ago. So we’re all too familiar with the challenges of the medium. Over time, and still until recently, we’ve encountered the same obstacles and pain points our customers (and peers) faced.

Most notably was a forced reliance on wide-format printers, plotters, and manual cutting tools to produce jobs. It can be a painstaking process, particularly for smaller, high-quality projects.

But despite the inefficiency and quality not meeting our idea standards, it had remained the most cost-effective solution. Many other trade printers and traditional print shops still operate this way. But for Mediapoint (and our print resellers and brokers) things are finally changing…

The Ideal Label and Sticker Printing Solution

We never stopped looking for better technology throughout our journey. We believe in doing things right and investing in the best to ensure we never outgrow our capabilities. So since discovering the equipment that would integrate with, and enhance, our streamlined processes we’ve been meticulously working on a keystone project.

After two years, we believe we have commissioned the best solution in Australia. We excited to announce the addition of a Durst Tau 330 RSC E to our equipment lineup. It sets the standard for label printing – offerring unparalleled quality and efficiency.

What’s So Good About This Printer

It’s not just hyperbole – the Tau 330 RSC E offers some compelling benefits. Here’s why we’ve invested in this label and sticker printer…

Unparalleled Label and Sticker Quality

The Tau 330 RSC E prints at 1200dpi with a 2 picoliter drop and minimal dot gain. That makes is the highest quality inkjet printer on the market. Print elements are crisp and clean even at both macro and micro scale. The print clarity remains whether you need a label up to 1m in length, or QR codes, barcodes, and text at 5mm and under.

Plus, the Tau matches the throughput of our other machines meaning there’s no compromise between speed and quality.

Outdoor Durability

The outdoor-durable ink used by this machine eliminates the need for lamination. Yet stickers and labels can withstand outdoor conditions for up to two years. This unlocks a wide range of applications in combination with custom size options, a large die library, and the aforementioned print quality.

Trust & Reliability

We’ve partnered with Durst Group for a number of years and feature many of their machines in our processes. Their reputation for reliability is well-known, and the proof is in the jobs (stickers or otherwise) that we produce everyday.

The Tau 330 RSC E is no exception. It offers consistent throughput and fits in seamlessly with our streamlined processes. This makes great savings in a number of areas without forsaking quality on labels and stickers. This means we can continue to pass savings onto our resellers, offering them more margin to play with.

Future-Proofed Label and Sticker Printing

Our new Durst printer also has the potential to utilise White UV Ink in the future. Plus, our tight-knit relationship with the manufacturer makes it likely that we’ll have first access to upgrades and optimisations.

That will enable us to offer unique applications and expand services to Australian print resellers as the market (and demand) grows.

What Does This Mean for Our Customers

We’re obviously excited about this new addition to our service offerings – and you should be too. With the Tau 330 RSC E Mediapoint trade customers get:

  • Free blind shipping as standard
  • A best-in-class label solution that doesn’t require laminate.
  • Australia’s largest die library – order custom sizes and custom shapes.
  • Low minimum starting prices on sheets and rolls at any order volume.
  • Application-ready labels and stickers – no white edges!
  • A 100% easy peel guarantee. Never worry about labels being cut too deep.
  • The ability to order labels up to 1m long.
  • Instant pricing and industry-leading, 2-day turnaround times.

We’re absolutely redefining what’s possible when it comes to labels and stickers for Australian print resellers. If you’re interested – put us to the test!

Make sure your are registered for a trade account to make the quantum leap today.

6 More Benefits of Trade Printing

The benefits of trade printing extend even further than just cost and labour reduction. In this blog, we look further into how resellers and brokers can partner with us to unlock growth.

Trade Printing is Cost-Effective

One of the primary benefits of trade printing is its cost-effectiveness. By partnering with a trade printer, businesses can take advantage of wholesale prices, which are often significantly lower than retail prices. This means that businesses can produce high-quality printed materials without breaking the bank, allowing them to allocate more resources to other aspects of their operations.

Access to Specialised Equipment + Expertise

Through long-term supplier relationships, we have state-of-the-art equipment that few trade printers have access to. Even better, over 16 years in business means we are well-versed in the equipment best practices. Plus, we understand the various nuances of print reseller / broker requirements.

When evaluating a trade printer, a key consideration is that they not only have the equipment to manufacture to your requirements – ideally they will also be able to support you in making informed decisions on the best methods for specific project. Solid expertise combined with access to quality equipment leads to better outcomes for you as the reseller and your clients at no extra cost.

Turnaround Times Are Another Benefit of Trade Printing

The potential for improved turnaround times is another significant advantage of trade printing. Trade printers focus solely on printing services, so we complete jobs quicker than businesses than in-house print production.

Mediapoint relies on a highly automated ordering system that requires our customers to provide (and proof) artwork online. This enables us to cut down turnaround as well as pass on the savings that come from not having design services. It also provides resellers more lead-time for projects and increases the possibility of delivering on last-minute orders received from their clients.

Wider Range of Print & Product Options

Trade printers offer partners access to a wider range of product options than doing things in-house. Unless the reseller has a significant amount of space or capital to outlay it is highly unlikely that most print shops can compete on our scale.

By partnering with a trade printer, a print shop can offer more options on stock, finishes, cuts, and products to its customer base. This adds a competitive advantage in a crowded market without the requirement of purchasing / holding more inventory.

Increased Scalability

By outsourcing their printing needs to a trade printer, businesses can scale their operations more effectively. We have the capacity to handle large-volume orders, allowing businesses to ramp up their marketing efforts and focus on strengthening existing customer relationships.

Once again this is without having to invest in additional equipment or staff. This scalability can be particularly beneficial for growing businesses or those experiencing seasonal fluctuations in demand.

Trade Printing Simplifies Logistics

Rather than having to manage the entire printing process in-house, businesses can rely on a trade printer to handle everything from production to shipping. This can free up valuable time and resources, allowing businesses to focus on their core operations and strategic growth initiatives.

A Final Note on the Benefits of Trade Printing

Trade printing offers a wide array of benefits for businesses looking to optimise and scale their operations without forsaking quality or revenue. By partnering with a reliable and experienced trade printer, you can unlock expansion and drive your business forward.

If you’re a print reseller and yet to register for a Trade Account with Mediapoint – you can sign up here. Access 24/7 live pricing, industry-leading turnaround and a wide range of products.

Labels on Rolls: New Opportunities Coming Soon

The purchase of the Durst Tau by Mediapoint isn’t just exciting for us – it’s good news for Australian print resellers. This state-of-the-art printer is designed to print a plethora of products at a high quality and high volume. We’re particularly excited to finally be able to offer labels on rolls from day one of operation. This adds a new capability (and product) to our ever-expanding facility and means quick, efficient printing of stickers / labels is more accessible than ever to the Australian market.

Resellers Can Take on Bigger Orders for Labels on Rolls

Adding another product line – particular one that is in high demand – is another way we’re helping print resellers to scale their business.

By investing in the Durst Tau, Mediapoint is enabling customers to optimise their workflow, fill production gaps and offer affordable label printing to their customers. Thanks to the ability to print on a wide range of materials, print brokers can offer their customers a wide range of sizes and styles. Plus, as it will be the first in Australia to be fully automated (and integrated with our existing systems) significant savings can be passed on.

So not only are we quadrupling our print capacity overall, we can now offer sticker and label printing at a competitive rate, with the fastest turnaround.

Keep an Eye Out for Labels on Rolls In Our New System

When the printer is up and running, resellers can register into our new Orders system and can simply log into our self-serve portal to order. As usual, you can expect live, 24/7 quoting and quick turnaround on all label orders.

Resellers won’t have to wait around with an industry-leading 2-day turnaround on any labels on roll orders. Increased margins, reduced turnaround time and the ability to onsell high-volume label printing will give our partners a competitive advantage.

Not to mention that it could lead to new customers, whilst offering more value to their existing clients. Whilst label / sticker printing may seem like an innocuous addition, it will allow Mediapoint and our customers to maximise their value proposition.

Want to Be First In Line?

This is significant step-forward for us and Australian print resellers. If you’d like to be one of the first to offer and order labels on rolls with all the usual benefits of trade printing – register your interest here.

How Much Does it Cost To Buy A Large Format Printer?

There are several factors that determine the true cost when you buy a large format printer. Jamie Xuereb discusses them in the video below and outlines the costs further in this article.

Everyone Gets Distracted by Physical Equipment Cost

We often see people get sucked in by the cost of a large format printer itself. They only look at this number as a metric to determine quality of the asset, the capital required and expense to the business. But we believe that there are several important factors besides the cost of the printer. The main elements to consider are:

  • Print Mode
  • Ink Costs
  • Service Fees
  • Floor Space.

The Effects of Different Print Modes

You always want to work any cost calculations on the ‘go to’ mode that you want to print at. This is how print line capacity is throttled; directly impacting ROI. We are notorious for knuckling honing in on optimal print modes when acquiring a new equipment. The key is to identify a mode that eliminates banding in print and provides a balance of speed. This way we can ensure we sustain our service level to our reseller customer and prints are of a good quality.

We do not get swayed by the fastest modes on a printer – even though it is easy to! Each printer will have a different sweet spot that provides the optimal results. We account for reduced speed through batching and other pre / post print processes. That’s how Mediapoint can support the needs of our high-volume resellers without sacrificing quality.

Consider Ink Cost When You Buy a Large Format Printer

The ink cost (per square meter) is very important, particularly for higher volume use. It’s imperative that you calculate the price of your printer based on average usage throughout its useful life.

For example: Say a new large format printer will have a 4 year useful life. You could anticipate doing 100,000 square meters of print during that time. You’ll want to work out the total cost with ink required for that volume, as well as any servicing fees in the 4 year period.

On that note…

When You Buy a Wide Format Printer You’ll Require Servicing

This is the part that most print equipment salespeople do not like to talk about. However we can’t stress enough how much this can influence the true cost. At Mediapoint we have found maintenance costs with certain brands to be unfeasible.

When you buy a large format printer, investigate the square meters of printing it can produce before certain servicing is required. Make sure to keep this top-of-mind and factor into your costings.

How Much Does It Cost To Buy A Large Format Printer
Our Durst 512R LED in action. We used the points in these posts when making decision to buy this printer as it fit our business

Large Printers Require Significant Amount of Floor Space

When it comes to commercial printing, new equipment ties up more floor space. There is a material cost to this (buying / leasing space) and an opportunity cost (using the space for something else). Don’t forget that on top space for each piece of equipment we need room for handling stock, to a working and dispatch area.

To give you an example: at Mediapoint we have over 2000sqm of internal warehouse space. Now whilst not all of that is used at the moment (we are future proofing for further expansion), a significant portion is takin up by our printing equipment. Real estate is a major, yet often overlooked, reason why business scaling is challenging for print shops.

If you’re looking to buy a large format printer to cater for demand growth, first consider a trade printing partner like Mediapoint. We have 16+ years experience dealing only with resellers, allowing them to expand their businesses efficiently. Contact us today to discuss your requirements.

The Costs of Wide Format Printing Explained

In this article we break down wide format printing costs to give you a peak behind the scenes. You’ll be able to better understand exactly where gains can be made. Plus, you’ll have a better idea of the difference between trade printing and in-house production.

Wide Format Printing Equipment Cost & Capacity

First and foremost is the actual cost of the large format equipment to be used. The capital expenditure of these assets is factored into the cost of each sheet. When calculating this, organisations need to also consider the capacity of the selected printer. At Mediapoint, we have invested in large format printers that can handle more volume, to bring down the cost per sheet and produce more jobs per hour. In tandem with our streamlined batching processes we can feed more volume through the line in less operational time. That means we can pass on greater savings to our trade clients and give them greater margin for reselling.

For the clients we cater to best (high volume resellers) this is the optimal process, however there will inevitably be some tradeoffs. We’ve covered those in another article that outlines how to evaluate a trade printer and make sure they match your needs.

Ink Plays a Key Part in Large Format Printing

Fundamentally you need ink to print – there is no way around this commodity. An ink cost per square meter is factored into the cost of any printing run. When dealing with large format prints this can be a significant cost – particularly if the equipment being used is not efficient in its ink usage. You’ll find that entry level or cheaper equipment will be less effective in its use of inks. So you may still end up with a quality print, but the ink costs per square meter are much higher.

We run premium Durst printers on a single printing mode. These are optimised for a set quality of print in all batches. This allows us to sustain efficient ink usage even at the high volume our clients expect, whilst sustaining the level of print quality their own customers expect.

Floor Space Required for Wide Format Printers

Large printers need a lot of floor space. From handling stock, to a working and dispatch area; each piece of equipment needs a significant amount of real estate. At Mediapoint we have over 2000sqm of internal warehouse space. This enables our teams work safely and efficiently when handling print jobs. Plus, it future-proofs our expansion plans.

This is an oft-overlooked aspect of wide format printing, and a major reason why scaling production / capacity is hard for your average print shop. Once the capacity of existing equipment is reached, not only do you need to outlay capital for equipment but also rental of extra floor space or sometimes even an entirely new premises. That expenditure usually leads to increase in print pricing which can affect relationships with customers and significantly impact your bottom line.

Finishing

Another overlooked aspect of wide format printing is the added finishing equipment and processes required. Finishing has a linked impact on quality and delivery of print runs. Sometimes, the cost of good finishing equipment can cost more than the actual print equipment. Then we must consider the cost of staff, training, and the time needed to finish orders. Once again, this all contributes to the final pricing of print jobs. Any process optimisations or capital savings mean less costs overall and greater margins to play with. In printing, economies of scale are very real – which is why trying to justify completing high-volume, repetitive work in-house can be difficult.

Durst 512 Mediapoint
The Costs of Wide Format Printing Explained

Quality Assurance and Dispatch

Unlike other forms of print, like the name suggests, large format printing is large. Due to the materials and equipment involved the print process differs from smaller-scale operation. That means it is necessary to conduct QA work prior to dispatch. It also requires customised packaging and delivery option which ties up a lot of resources as well.

As you can see, there are many factors at play when it comes to the pricing of commercial printing. Due to this the quoting process can often take quite a while, delaying projects or blowing out lead times. That’s why we’ve invested in our PrintIQ system – offering 24/7 live pricing and automated print processing.

If you’re a print resellers looking to provide accurate quotes, manage customer expectations, and get on with the business of selling, create an account today.

4 Tips for Optimal Large Format Printing

Jamie shares several tips to minimise delays and achieve optimal output from your large format printing.

1) Always Use Vectors Where Possible

When creating / supplying artwork, utilise vectors – these are your best friend! Vectors are images created from shapes based on mathematical formulas. This keeps them sharp no matter how large the artwork needs to be. Don’t worry – you don’t need to know the tech or mathematics behind it all. Your graphic design software should look after that. The reason we (and other printers) recommend vectors is that they are sharper than Rasters. With rasters, there is always a point where the images will pixelate. Rasters are essentially a photo – hence the inability to scale infinitely. In large format printing this is invaluable as it eliminates the possibility of any issues.

Even better, vector images contain the CMYK values of a graphic which leads to more accurate colour output in the finished print.

2) Ensure Fonts Are Converted to Outlines

Fonts are perhaps the most fickle element when it comes to supplied artwork – just ahead of colours. Due to the variety of fonts in existence and the legal / technical limitations of having them stored within a database, you should always convert your text elements to outlines. Without conversion there’s a high chance your printer may not have the font available and it will be automatically substituted by their graphic design software. This is particularly true of bespoke fonts or those in languages that do not use the English alphabet.

There are other processes to workaround these issues – like flattening of an image file – however this can create other issues that need fixes of their own. By simply converting fonts to outlines you can ensure that artwork will print as it is provided, and avoid any delays to printing.

Most trade printers will not undertake proofing and require artwork to be provided in this way. This allows for automation and expedited printing with minimal service requirements. If you want to better understand what is required by your trade printer, and find the right match, we recently discussed the fundamental questions to ask.

3) Flatten Gradients Where Possible

When it comes to gradients (unlike Fonts), flattening is a useful process to ensure an accurate finished product. If you leave gradients as a raster, or simply a selected effect option in a PDF, it may be interpreted differently depending on the Raster Image Processing Software (RIPS) used by the printer. Not all RIPS are made the same, so it is best to standardise your images and eliminate the chance of gradients going awry in your wide format printing.

It’s always safer to flatten your gradients and it doesn’t take long – so what have you got to lose?

4) Utilise CMYK For Large Format Printing

Always create and supply your print artwork in CMYK colour format. Conventional large format printing is done using CMYK inks, so you’ll want to ensure your artwork matches. Whilst it may be tempting to use RGB in this digital age, that colour format is only best for screen / web design. Quite often we find people are surprised by the difference in colour between a digital RGB file and a sample CMYK print output.

By using CMYK from the very beginning you’ll be able to see the actual output throughout the entire processes. This leads to accurate printing, a better idea of the finished product to set expectations, and satisfied customers.

BONUS: Inspect Your Artwork At 100% On Screen

Here’s a bonus tip we’ll throw in for free: make sure you view your PDF Files at 100%!

This simple trick can pay dividends down the line and help you avoid any issues with large format printing quality. By viewing at 100% you will get an idea of the actual quality of images and see any potential pixelation.

For those more technically-inclined here’s what this means from a DPI perspective:

  • If the file is 10% then make sure to zoom in at 1000% to see the artwork as it will end up.
  • 120 DPI for raster photos at 100% size is what we generally recommended. Going over this is likely overkill and will see diminishing returns.

An example: For banner files at 10% size, ensure that it is set up at 1200 DPI so when blown up it gets to the 120 DPI mark.

Mediapoint Optimal Large Format Printing
Optimal Large Format Printing

Eliminating Errors From Wide Format Printing

So there you have it – our top tips for eliminating any issues when utilising a trade printing partner. We’ve worked thousands of print jobs over the years; by following these recommendations our customers have accelerated their print processes and eliminated the burden of rework / delays.

If you’re a high volume print reseller looking for a trade-only printing partner with a wide range of products speak to us today.

Large Format Printing: A Best Practice Guide

In this article we discuss the best practices for optimal large format printing in this video and accompanying article.

Many of our customers have prior experience with differing forms of printing – offset, small format, merchandising, and screen printing. Large format printing, however, has its own nuances. So getting across these best practices can help you expedite printing, save headaches, and achieve better printing results.

Convert Fonts In Your Large Format Printing Artwork to Outlines

Fonts, like colours, are a particularly tricky element of printing artwork. There are legal / technical limitations when it comes to fonts. You can never be sure the printer will have the font you require available. So to mitigate any issues you should always convert your text elements to outlines. Without conversion it’s likely to be automatically substituted by graphic design software. This is particularly true of custom fonts or those in languages that do not use the English alphabet.

Converting fonts into outlines ensures that artwork will print as it is provided. Quite often we see text elements being the cause of delays to wide format printing. There are other processes that can help, like flattening of an image file but this create other issues.

Most trade printers will not undertake proofing – so double check your work before sending. Conducting conversion of text elements and following the other tips below will set you up for success. If you want to better understand what is required by your trade printer, and find the right match, we recently discussed the fundamental questions to ask.

Use CMYK & Pantone For Accurate Colour Matching

Always setup your artwork files in CMYK and not RGB. Whilst RGB is the go-to for digital design, the finished, printed colours won’t match. Trust us – there is quite the difference in colour between an RGB specification and the CMYK print output.

If you’re after a very specific colour match you’ll want to go a step further. Specify a Pantone C colour to correctly match and achieve your desired output. As colours can change from inkset to inkset, Pantone C colouring specifications keep wide format printing profiles in check.

Large Format Printing

Aim For 120DPI in Any Photos

Keep to the golden number of 120DPI photos to be printed in a large format. Any lower than this and it’s highly likely pixelation will occur. If you go too high you run the risk of RIP (Raster Image Processing) issues due to massive file sizes.

There really is no need to overdo it on the DPI. Don’t forget: most large format printing is designed to be viewed from a few meters back. You’ll find that there is a larger dot size (compared to small format printing) due to the outdoor durability requirement of the ink. So when it comes to the finished product, whilst it may look odd up close, you’ll get an accurate representation of the image when viewed from the intended distance.

Another thing to keep in mind here is the file size compared to its final scale. If the file is at 10% size, then set your DPI to match so that once blown up the image appears as intended.

For example:

If you’re delivering banner files at 10% size, set them up at 1200DPI. Once blown up to 100% size you’ll be right on that ideal 120DPI mark.

Utilise Vectors For Wide Format Printing

Use vectors wherever possible for any wide format printing. Vectors are incredibly handy for this typoe of printing. Vectors utilise mathematical formulas to create the shapes that make up your image. So no matter how large the artwork needs to be, the image will remain sharp. Industry standard graphic design software will be able to look after the technical side of things for you.

Trade printers recommend vectors due to their better sharpness when compared to rasters. With rasters, there is always a point where the images will pixelate. Rasters are essentially a photo – so they cannot scale infinitely. In wide format printing this ability to scale eliminates the possibility of any pixelation or blurring.

Plus vector images contain the CMYK values. Which takes care of the best practices above and leads to more accurate colour in the finished print.


If you’re a print reseller and outsourcing (or looking to outsource) over 30 jobs a month, we can help. Mediapoint has over 16 years of experience servicing high volume resellers exclusively. Talk to us today.

3 Ways Trade Printing Can Increase Profits

In the video above (and the accompanying article) we discuss how you can increase profits by engaging a trade printer.

Increase Profits by Offering More Products to Your Existing Customers

It’s highly likely the bulk of your revenue comes from existing customers, who already buying from you. You’ve built up a relationship with them and you’re likely to be their go-to supplier. But there’s a finite amount of products and stock you can hold / offer without taking up costly space. Not to mention the compatibility of these materials with your existing equipment.

That’s where an established, large trade printer comes in handy. By engaging a print partner you can offer their range of products and services as your own to existing customers without having to outlay significant cost for new stock, products or specialised printing equipment. You win by growing your product offerings (whilst minimising spend) and they win by not having to go elsewhere.

It’s a no-risk way to add services and products without the need for more floor space, staff, equipment or administration. Under this model you can just focus on the selling; strengthening relationships with clients as you also add profit, thanks to good margins and increased offerings.

Downsizing By Removing Unprofitable Lines

Eliminate the risk and the burden of unprofitable lines by shifting the responsibility to a trade printer. It’s no secret that staff are getting harder to find in Australia, so when we they are available we need them to be utilised effectively. Plus accessing the latest technology or purchasing new equipment is taking longer than ever thanks to supply chain issues. So keeping up with the right equipment or the right setup to match our competitors, and the demands of a growing customer base, is much harder.

To overcome these challenges (particularly during the peak of COVID) we’ve seen printing companies downsizing, moving to leaner models and focusing only on profitable lines. Some have even made the decision to shift entirely from print manufacturing to print reselling or brokering.

Trade printers make this a viable long-term strategy, allowing print business owners to stress less and move to more profitable models over the last couple years.

Increase Profits by Outsourcing Large Volume Orders

If you’re manufacturing predominantly in-house it’s likely that you have entry-level equipment or assets that suit a lower volume of production. This is fine for artisanal, bespoke or custom jobs, but not beneficial if you’re expecting to grow the volume of your print runs. In this scenario the cost per square metre will be much higher when factoring in ink, stock, labour, capital for equipment and the physical space you need for it all.

Of course, you can charge more (out of necessity / perceived value) but should your quantity of orders or volume grow, you’ll be tying up production capacity on low margin orders. Never forget that time is a commodity; any time your machines are running for one job, they aren’t producing for another. You want to be utilising your own equipment for the orders that make the most profit; outsourcing to a reliable partner enables you to do this without sacrificing quality or speed on key accounts.

Using a trade printer you can produce faster, at a higher volume, without the profit-eating capital outlay.

Trade Printing Mediapoint
3 Ways Trade Printing Can Increase Profits

Which Trade Printers Will Increase Profits

Each trade / wholesale printer will have different offerings when it comes to products, service and pricing.

It’s important to undertake a robust evaluation of your options – whether you’re already in a trade printing partnership or just starting to look into the option. It doesn’t take much to get the answers you need, just a decent investment of focus and time. However, the return on this investment can reap great rewards when it comes to increasing profits. We recently discussed the fundamental questions you should answer in your evaluation when looking to outsource your printing.

Match up with a quality wholesale printer and you’ll be freeing up equipment capacity, labour, time and capital whilst building up the bottom line.

If you’re interested in evaluating Mediapoint services, and joining hundreds of other high volume resellers taking advantage of trade print, sign up to our PrintIQ system today.

Evaluating A Trade Printer

We discuss why evaluating a trade printer, whether you’ve already got one or if you’re just starting to explore the trade printing option, can save you administrative headaches and money. Here we discuss the key ways resellers can evaluate their trade printer to make sure they are getting the best deal.

Evaluating a Trade Printer 101: Are they a good match?

The first thing to ask is, of course, ‘is this trade printer right for me?’ And the answer usually depends on two things: your size and your systems.

If you’re only outsourcing a few jobs a month, or relying on a trade printer on an ad-hoc basis it’s highly likely that you’ll want (and need) a trade printer with a solid front end and the ability to service micro-orders without hassle. By that we mean the ability to provide dedicated, bespoke customer service. This could be a service phone line or live chat, support with artwork correction, perhaps even a dedicated account manager. Whilst this may be useful to you, it also means sacrificing margin. You may even want to consider whether outsourcing is right in the first place, or if you’re better off handling these jobs in-house.

If you are a high volume print reseller or print broker you should be looking for a trade printer that matches your size. Look for partners that have Lean processes: automated quoting / ordering capabilities, routine cutoff times, continuous availability of standard or high-demand products. The trade-off for dedicated personal service here is greater margins, quicker turnaround, and less administration. If you (and your team) have the ability to get jobs print-ready, why pay for services you don’t require?

Shipping process should also be a factor in your evaluation. Where the printer is shipping from and how they are shipping can greatly change costs and timelines. The shipping options available from a wholesale printer may vary by the product you are ordering, the volume and your lead-time requirements. 

These are the fundamental tradeoffs that you need to take into account when evaluating a trade printer. In all cases however, pricing will play a major role.

Do You Know The Pricing Model?

As mentioned above, there is a multitude of different trade printing offerings, each with their own specialisation. Even the definition of ‘trade printing’ changes depending on who you ask!

A top tip to get a real sense of where a wholesale printer’s ‘strike zone’ is, is by how pricing changes based on the quantities you are ordering. This combined with any information on lead times can help determine if the wholesale printer is best set up for volume or micro-orders. The longer the lead time the more likely it is that the printer relies on high-volume batch process.

When evaluating a trade printer you need to decide whether these lead times and their pricing work for you, or if you need to shop around. If you’re consistently having to work to meet lead times, or you aren’t benefiting from a discount on the quantity you are ordering – perhaps it’s best to look elsewhere.

The Proof is in the Print Mode

A significant factor in evaluating any printer is the actual printing that they do. You want consistency and so do your clients. There’s nothing worse than under-delivering on your customer’s expectations (particularly if they’ve ordered something similar previously).

This means looking for an organisation that maintains the same print mode to produce consistent quality each and every run. You can get a feel for any deviation by inspecting multiple batches of similar / repeat orders and comparing the items. If you’re noticing abnormalities like banding or a lack of matching colour, there may be reason to believe that different modes have been used.

Finally – don’t be afraid to go ahead and ask the question when enquiring/ Does the printer run only one ‘go-to’ mode when printing? Or does this change depending on the artwork supplied, or even the volume?

At Mediapoint we can answer that, easily. With each piece of equipment our team identify and lock down one mode for our printing to ensure clients get the right balance of speed, quality and consistency when ordering.

Our Definition Of Trade-Only Printing

Trade printing is a service where you outsource your printing to another supplier who then produces the work on your behalf. This leaves you with greater equipment availability for priority, short-run or custom jobs. You can utilise to focus on growing your business and offering bespoke sevices. A quality trade printer (also known as a Wholesale Printer) will deal only with you – not your customer – allowing you to focus on growing relationships and your customer base, without the financial outlay for new equipment.
If you’re looking for a print partner for products such as mesh banners, corrugated plastic boards, stickers and posters, then feel free to register on our pricing page.

Colour Matching For Your Customers Jobs

By watching the above video, you can get an overview of the full process we use at Mediapoint for Colour Matching.

Put Pantone C colours in your files

It is important that in your files you only put Solid Coated Pantone colours in your file. Our profiles will detect this and do a spot replacement to the closest possible match.

If you are using CMYK values or another type of Pantone colour, our profile will not detect this and do the spot replacement.

Picking A Pantone Colour

When picking a Pantone colour, it is ideal to use a Pantone Bridge Book.

A Pantone bridge book as the actual Pantone colour on the left-hand side as well as the closest possible match in a 4 colour digital printing process on the right hand side. The right-hand side is the closest colour we can hit to the Pantone colour and is what our profile aims to replicate.

If You Need an Exact Match

If you have an ultra-fussy customer and needing exact colour matching the only way to this is to get a match off a colour chart printed on the exact same press and stock as the job you will be printing.

If you have these requirements speak to us about organising a time to be able to match off one of our charts.

What If You Want to Check the Colour Before The Main Job Is Printed?

At Mediapoint we offer free printed samples on order over $1000+GST. For orders under this limit there is a $40+GST. This will give you piece of mind before the main order goes through.

Why Can’t Some Colours Be Matched?

With digital printing we are limited to using 4 (CMYK) and 6 (CMYKLcLm) Inks to make a colour. Pantones are made using 16 colours. These extra colours are needed to create a wider ink colour gamut to hit certain pantones.

Even with 4 and 6 coloured inks to use we hit a very high colour score which we calibrate regularly.

It is also important to note that on our Flatbed Printer, we print with an Uncoated UV ink which has a lower colour gamut than glossy colours and ink.

Find out more about the products we offer with colour matching.

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